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Cinema Scope

Issue 81 - Winter 2020
Magazine

With unparalleled depth and breadth, Cinema Scope is one of the most respected English-language publications on film worldwide. Cinema Scope unites experienced critics from across North America with up-and-coming writers. Packed with reviews, essays, festival reports, and interviews, we’re geared to cinephiles looking for an intelligent forum on world cinema. “Advocates for a passionate, poltical and purist engagement with the movies”—The New York Times

Cinema Scope

Editor’s Note

Anything Is Possible • Josh and Benny Safdie on Uncut Gems

They Are All Equal Now • The Irishman’s Epic of Sadness

I Shall Be Released • Amazing Grace and Rolling Thunder Revue

A Concept of Reality • Sergei Loznitsa’s State Funeral

Far from Paradise • Nina Menkes’ Queen of Diamonds

Garden Against the Machine • Ja’Tovia Gary’s The Giverny Document

Fairytales and Freudian Females • A Conversation with Jessica Hausner

Training to Failure • Lisa Steele’s Very Personal Stories

Works and Days • The Incomplete SOLARIUMAGELANI

Collective • Alexander Nanau, Romania/Luxembourg

Mafia Is No Longer What It Used to Be • Franco Maresco, Italy

Ne croyez surtout pas que je hurle • Frank Beauvais, France

The Painted Bird • Václav Marhoul, Czech Republic/Ukraine/Slovakia

The Twentieth Century • Matthew Rankin, Canada

A Voluntary Year • Ulrich Köhler and Henner Winckler, Germany

White Lie • Calvin Thomas and Yonah Lewis, Canada

Calíwood My Hometown • Luis Ospina, 1949-2019

Silence Is Falling • The Experimental Films of Marinella Pirelli

Où est le cinéma? • On Sontag: Her Life and Work

Progressive and “Progressive”

Jojo Rabbit • Taika Watiti, US

Ad Astra • James Gray, US

In Fabric • Peter Strickland, UK

Mister America • Eric Notarnicola, US

Portrait de la jeune fille en feu • Céline Sciamma, France

Peter Emanuel Goldman’s Pestilent City


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Frequency: One time Pages: 84 Publisher: Cinema Scope Publishing Edition: Issue 81 - Winter 2020

OverDrive Magazine

  • Release date: December 27, 2019

Formats

OverDrive Magazine

Languages

English

With unparalleled depth and breadth, Cinema Scope is one of the most respected English-language publications on film worldwide. Cinema Scope unites experienced critics from across North America with up-and-coming writers. Packed with reviews, essays, festival reports, and interviews, we’re geared to cinephiles looking for an intelligent forum on world cinema. “Advocates for a passionate, poltical and purist engagement with the movies”—The New York Times

Cinema Scope

Editor’s Note

Anything Is Possible • Josh and Benny Safdie on Uncut Gems

They Are All Equal Now • The Irishman’s Epic of Sadness

I Shall Be Released • Amazing Grace and Rolling Thunder Revue

A Concept of Reality • Sergei Loznitsa’s State Funeral

Far from Paradise • Nina Menkes’ Queen of Diamonds

Garden Against the Machine • Ja’Tovia Gary’s The Giverny Document

Fairytales and Freudian Females • A Conversation with Jessica Hausner

Training to Failure • Lisa Steele’s Very Personal Stories

Works and Days • The Incomplete SOLARIUMAGELANI

Collective • Alexander Nanau, Romania/Luxembourg

Mafia Is No Longer What It Used to Be • Franco Maresco, Italy

Ne croyez surtout pas que je hurle • Frank Beauvais, France

The Painted Bird • Václav Marhoul, Czech Republic/Ukraine/Slovakia

The Twentieth Century • Matthew Rankin, Canada

A Voluntary Year • Ulrich Köhler and Henner Winckler, Germany

White Lie • Calvin Thomas and Yonah Lewis, Canada

Calíwood My Hometown • Luis Ospina, 1949-2019

Silence Is Falling • The Experimental Films of Marinella Pirelli

Où est le cinéma? • On Sontag: Her Life and Work

Progressive and “Progressive”

Jojo Rabbit • Taika Watiti, US

Ad Astra • James Gray, US

In Fabric • Peter Strickland, UK

Mister America • Eric Notarnicola, US

Portrait de la jeune fille en feu • Céline Sciamma, France

Peter Emanuel Goldman’s Pestilent City


Expand title description text