With unparalleled depth and breadth, Cinema Scope is one of the most respected English-language publications on film worldwide. Cinema Scope unites experienced critics from across North America with up-and-coming writers. Packed with reviews, essays, festival reports, and interviews, we’re geared to cinephiles looking for an intelligent forum on world cinema. “Advocates for a passionate, poltical and purist engagement with the movies”—The New York Times
Cinema Scope
Editor’s Note
Philosophy in the Woods • Albert Serra’s Libertines
Come on Feel the Noise • The Films of Andrés Duque
Truth and Method • The Films of Thomas Heise
A Case for “Mere” Recording • Films by Ryan Ermacora and Jessica Johnson
Thinking in Images • Scott Walker and Cinema
The Meeting of Two Queens • Doris Wishman and Peggy Ahwesh
The Good Fight • The Films of Julia Reichert
Double Takes • Agnès Varda, 1928–2019
Cannes 2019 • Return to Form
Parasite • Bong Joon Ho, South Korea
Atlantique • Mati Diop, France/Belgium/Senegal
Bacurau • Kleber Mendonça Filho and Juliano Dornelles, Brazil/France
It Must Be Heaven • Elia Suleiman, France/Qatar/Germany/Canada/Turkey/Palestine
Mektoub, My Love: Intermezzo • Abdellatif Kechiche, France
Jeanne • Bruno Dumont, France
Tommaso • Abel Ferrara, Italy/UK/US
Killer Styles • The 51st Quinzaine des Réalisateurs
J’ai perdu mon corps • Jérémy Clapin, France
Nuestras Madres • César Díaz, Guatemala/Belgium/France
Curses and Blessings • Moving Images at the 58th Venice Biennale
Everybody Plays the Fool • Succession
Extras and Streaming, Now, Then, and There
The Souvenir • Joanna Hogg, UK / US
The Hottest August • Brett Story, Canada/US
Diamantino • Gabriel Abrantes and Daniel Schmidt, Portugal/France/Brazil
Too Late to Die Young • Dominga Sotomayor, Chile/Brazil/Argentina/Netherlands/Qatar
Flaubert Dreams of Travel But the Illness of His Mother Prevents It