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The Modern Fairies

Audiobook
1 of 1 copy available
1 of 1 copy available

Brought to you by Penguin.
Why don't they tell you it is the beautiful princess who becomes the evil queen; that they are just the same person at different points in their story?

Versailles, 1682: a city of the rich, a living fairy-tale, Louis XIV's fever dream. It's a place of opulence, beauty, and power. But strip back the lavish exterior of polite society, and you'll find a dark undercurrent of sexual intrigue and vicious gossip. Nobody is safe here - no matter how highly born they are.
No one knows this better than Madame Marie d'Aulnoy. Each week, a rogue group of intellectuals gather at her Parisian home to debate, flirt and perform Contes de Fées - fairy tales - that challenge the status quo, at a salon that will change the course of literature forever. But while they weave tales of glass slippers, enchanted beasts and long-haired princesses, a wolf is lurking, who threatens to destroy the members of the salon one by one.
Brilliant and bawdy, romantic and provocative, The Modern Fairies is a dazzling novel inspired by real events, about the delights and dangers of storytelling in dark times.
'Elegant and decadent, vulgar and clever, enchanting and dark. The love child of Angela Carter and Anaïs Nin - the book I really really needed' SARAH PERRY, author of The Essex Serpent
'Pollard's future, as a novelist, is very bright indeed' THE I, praise for Delphi
©2024 Clare Pollard (P)2024 Penguin Audio

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    • Publisher's Weekly

      May 27, 2024
      Pollard (Delphi) delivers a delightfully raunchy romp through the court of Louis XIV in 1682 Paris. A group of women led by Madame Marie d’Aulnoy meet regularly to discuss 25 fairy tales, which lend themselves to the title and themes of each chapter, beginning with “The Tale of Donkey-Skin,” about a king who seeks to marry his daughter. Soon men start joining the gatherings, and the group is dubbed the Modern Fairies by others at court. As the members discuss the tales of Cinderella, Rapunzel, and Prince Charming, the women note how their own husbands could have them banished for infidelity—indeed, one of them has been sleeping with a bachelor member of the Modern Fairies while her husband is away. In “The Tales of Anguillete and Red Riding Hood,” Pollard’s omniscient narrator suggests there’s a “wolf” monitoring the group for Louis XIV, who fears the political power of storytelling. Pollard’s ribald prose is addictively amusing, as in her depiction of the king as “short, pockmarked, always some problem with his arsehole... his little dick florid with some new sexually transmitted infection... such a pathetic little horn-dog.” This magnetic revisionist historical deserves a wide readership. Agent: Lucy Carson, Friedrich Agency.

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  • English

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