With unparalleled depth and breadth, Cinema Scope is one of the most respected English-language publications on film worldwide. Cinema Scope unites experienced critics from across North America with up-and-coming writers. Packed with reviews, essays, festival reports, and interviews, we’re geared to cinephiles looking for an intelligent forum on world cinema. “Advocates for a passionate, poltical and purist engagement with the movies”—The New York Times
Cinema Scope
Editor’s Note
The Act of Living • Gianfranco Rosi on Notturno
I Lost It at the Movies • Charlie Kaufman’s Antkind and I’m Thinking of Ending Things
Open Ticket • The Long, Strange Trip of Ulrike Ottinger
A Pierce of the Action • On Claudine and Uptight
Movies for Robots • Isiah Medina’s Inventing the Future
Reconstructing Violence • Nicolás Pereda on Fauna
Moving Toward and Away from Horror • 100 Years of Olympic Films, 1912–2012
The Home and the World • Three Films by Ruchir Joshi
Paulo Rocha’s Signs of Life
Chums at Midnight • On Hopper/Welles
Molto Bene • The Life and Deeds of a Selfless Egomaniac
Film Dada • Kurt Schwitters’ Ursonate
Judged and Found Wanting • How Silicon Valley Continued Mike Judge’s Satirical Anthropology
Known Unknowns • Francis Savel’s Équation à un inconnu
Presumptions & Biases
THE INHERITANCE • Ephraim Asili, US
TENET • Christopher Nolan, US
POSSESSOR • Brandon Cronenberg, UK/Canada
BLOODY NOSE, EMPTY POCKETS • Bill and Turner Ross, US
FIRST COW • Kelly Reichardt, US
Artificial Paradise • Chick Strand, 1982-85