Photography Week

The world's best-selling digital photography magazine, Photography Week is the ultimate resource for anyone who wants to improve their photography. Every issue we bring you inspirational images, creative ideas, must-try photo projects and in-depth video reviews, plus no-nonsense practical advice on how to get the best from your camera, so you can capture and edit images you can be proud of. Designed specifically for mobile devices, each issue features reader galleries, how-to articles and step-by-step videos that will help you become a better photographer. It's your one-stop shop for all things photographic.

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NEW INSTAX MINI EVO IS A PRINTS/DIGITAL HYBRID • Fujifilm’s latest offers an array of lens and film effects, plus microSD storage

HOW TO SHOOT CLASSIC LANDSCAPES • Arm yourself with the skills and techniques you need to become a master of shooting the great outdoors by Jon Adams and Andrew James

THE BASIC EQUIPMENT YOU NEED • Keeping your kit bag as light as possible is the best approach for a landscaper who wants to chase the light: not every great shot is going to be found 10 yards from the car park. A wide-angle zoom lens, a cable release and a sturdy tripod, for when the light is low, are all you need to carry. Other useful accessories include a few lens filters, a torch in case it gets dark on you, and some wet-weather clothing for when the weather forecast gets it wrong.

1 BUILDING BLOCKS THE BASICS OF CLASSIC SCENICS • Discover how to ‘work’ the scene and successfully combine the elements to produce classic landscape images

DESIGN YOUR LANDSCAPE

USE TRANSFORM CROPPING

SEEK OUT DIFFERENT TYPES OF FOREGROUND • Once you’ve established your background view, these are the main foreground elements to search for to lock your shot

2 FIND CLASSIC FOREGROUNDS POSITION DETAIL UP FRONT • Discover the types of foreground that are tried and tested, and how to make the most of the first thing your viewer sees

COMBINE FOREGROUND TYPES

3 BALANCE CONTRAST EVEN UP YOUR EXPOSURE • Landscapes have a broad dynamic range, so find out how to make bright and dark areas work in harmony

USE AN ND GRAD FILTER

DARKEN YOUR BLUE SKIES IN RAW

BALANCE THE SKY AND THE LAND IN A RAW CONVERTER • Take the post-processing route to capturing a high-contrast scene, by shooting in raw format and applying your graduated filters digitally. Here’s how it’s done…

BRING THE SKY AND LAND TOGETHER

THE TRADITIONAL WAY

4 DEPTH-OF-FIELD TACTICS HYPERFOCAL DISTANCING • Classic landscapes show a bitingly sharp image through the entire frame, from front to back. Here’s the easy way to achieve this

MAXIMISE THROUGH-SHARPNESS

5 POLISH SHOTS IN RAW PERFECT YOUR LANDSCAPE • Use the flexibility of raw files to develop the potential in your pictures and control your creative direction with precision

SAVE TIME WITH PROFILES

FIVE TOP TIPS FOR EDITING RAW FILES

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XPOSURE • THE WEEK’S MOST INSPIRING READER PHOTOS

OUCH! MONKEY’S MISFORTUNE IS 2021’S FUNNIEST WILDLIFE SNAP • Wince-inducing image wins the Comedy Wildlfe Photography Awards

WALK THIS WAY • Mike Harris shows how to maximise time spent with your camera by planning and prepping a photo walk

HOW TO… CRAFT A FAIRYTALE SCENE • James Paterson calls on a host of essential Photoshop tools and skills to construct a fantastical composite

APPLE IPHONE 13 PRO MAX • A peerless performer underpinned by innovative tech

APPS • MORE GREAT MAGAZINES FROM THE MAKERS OF PHOTOGRAPHY WEEK

Photography Week • photographyweek@futurenet.com